IAMA Art Museum in San Francisco

H.H.第三世多杰羌佛書法 H.H. Dorje Chang Buddha III- Calligraphy (Excellent Style 格高)

From ancient times to the present, no product of an art or field of study has been able to reflect a person’s moral character and knowledge---except for calligraphy. The aura created by a person’s achievements or creations in a certain form of art or field of study often covers up his shortcomings in knowledge and character. However, calligraphy is an exception to this rule. Calligraphy is like a three-dimensional projecting mirror. The depth of one’s knowledge, the level of one’s moral character, and the strength of one’s mind are revealed through each stroke of the brush. There is no way to conceal such things. When looking at the quality of a person’s ordinary writing of Chinese characters, most people can discern the level of that person’s education. This is all the more true with respect to looking at a person’s calligraphy.

https://iamasf.org/exb-hhdcb3/

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學識為書之棟樑,書之基石;德為書之格調,書之神韻,故書法必具雙胞學體。H.H.第三世多杰羌佛的書法,脫俗無華,格高境妙。時而龍蛇走筆,轉鋒又童心天趣,平中見奇,飄逸自如,渾厚華滋。行墨連綿,氣韻暢達,字勢或雄 渾矯健如龍躍天門,虎臥鳳闕;或清新和雅如浮雲飄冉,鶴翔松間;或樸拙率真,孩心無執。脫盡輕鮮煙火之氣,收斂內含,俗 染浮雜已然蕩盡!正是『天質自然,韻達性海,故柔中見剛,華而清奇。』